SAMUEL JOHNSON
For a Victorian reendering of Dr. Johnson sitting in Lord Chesterfield's waiting room, click here
Rambler #111
Johnson on Painting
This is a fascinating glimpse of his views on the inherent limitations of paintings:
The action must be circumstantial and distinct. There is a passage in the Iliad which cannot be read without strong emotions. A Trojan prince seized by Achilles in the battle, falls at his feet, and in moving terms supplicates for his life. "How can a wretch like thee," says the haughty Greek, "entreat to live, when thou knowest that the time must come when Achilles is to die?" This cannot be painted, because no peculiarity of attitude or disposition can so supply the place of language as to impress the sentiment.
Idler #45 (February 24, 1759)